HOGARTH, William
British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.
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HOGARTH, William An Election Entertainment f oil painting


An Election Entertainment f
1754 Oil on canvas, 100 x 127 cm Sir John Soane's Museum, London
Painting ID::  7498 		HOGARTH, William
An Election Entertainment f
1754 Oil on canvas, 100 x 127 cm Sir John Soane's Museum, London
   
   
     
HOGARTH, William Soliciting Votes s oil painting


Soliciting Votes s
1754 Oil on canvas, 101,6 x 127 cm Sir John Sloane's Museum, London
Painting ID::  7499 		HOGARTH, William
Soliciting Votes s
1754 Oil on canvas, 101,6 x 127 cm Sir John Sloane's Museum, London
   
   
     
HOGARTH, William The Marriage of Stephen Beckingham and Mary Cox f oil painting


The Marriage of Stephen Beckingham and Mary Cox f
c. 1729 Oil on canvas, 128,3 x 103 cm Metropolitan Museum of Art, New York
Painting ID::  7500 		HOGARTH, William
The Marriage of Stephen Beckingham and Mary Cox f
c. 1729 Oil on canvas, 128,3 x 103 cm Metropolitan Museum of Art, New York
   
   
     
HOGARTH, William Marriage a la Mode 1 oil painting


Marriage a la Mode 1
c. 1743 Oil on canvas, 70 x 91 cm National Gallery, London
Painting ID::  7501 		HOGARTH, William
Marriage a la Mode 1
c. 1743 Oil on canvas, 70 x 91 cm National Gallery, London
   
   
     
HOGARTH, William Marriage a la Mode 4 oil painting


Marriage a la Mode 4
1743 Oil on canvas, 70 x 91 cm National Gallery, London
Painting ID::  7502 		HOGARTH, William
Marriage a la Mode 4
1743 Oil on canvas, 70 x 91 cm National Gallery, London
   
   
     
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     HOGARTH, William
     British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.

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